These dreams and ghosts

January 29th, 2008

prague.jpg

Walking through the streets
with all these dreams and ghosts,
caught by a shiver of moon,
a passing cloud -

a passing moment of perfection
in a sigh of stars,
that bathe me
in their distant glory.

Walking through the streets,
my heart a waiting murmur,
my lips now pause for breath,
one word: your name -

and now the night
(this miracle,
transformed)
is made of new beginnings.

Walking through the streets,
deep inside the winter night,
my breath is warm and wonder -
longing, whispering to you.

You must remember this

January 27th, 2008

casablanca_bogie_ingrid_latedrink.jpg

Tonight I’ll disconnect the phone
and lock all doors
and close the curtains.

It will be me and my TV,
some sushi maybe
and some wine.

The couch and comfy cushions
now a small tropical island
in a sea of quiet bliss.

I’ll start with something light
and frothy - something
that will make me smile:

‘Arsenic and Old Lace’ or
‘Beauty and the Beast‘,
Great Expectations’ maybe,

before it’s time to brace myself,
to go all-out for perfect bliss -
a box of hankies at the ready.

Yes, for here we are again:
in Paris and in black & white -
and yes of course: it’s raining.

Two people meet and fall in love
while Europe’s burning
and the armies march.

Then, of course, their time runs out
and they must part and say goodbye
amidst the smoke of waiting trains.

(A station is the best farewell:
its sounds and smells so redolent
of love and desolation.)

The camera now shuts its eyes
and when it dares to look again
it is upon a different scene -

another place, another time,
of deserts and of nightclubs,
of nazi boots and gambling debts:

a place without much hope,
but that for some has now become
their lonely bit of exile.

So, enter Rick into his bar,
a cigarette between his lips,
a hat that’s almost jaunty…

… and well, you know the story,
don’t you…? Everybody surely knows
this movie: Casablanca.

Those images of hope and loss,
of grief and laughter - all those
long goodbyes and then those songs:

“You must remember this
A kiss is just a kiss, a sigh is just a sigh.
The fundamental things apply as time goes by.”

A perfect movie and a perfect ending.
Sad, of course, for yes,
it’s yet another parting…

But what a world to visit once again,
where everything must always be about
these old, familiar enchantments.

Love and loss – and duty, honour
and the faith that all of this will conquer evil
conquer shadows, conquer time.

( ‘As time goes by.’)

In waves

January 27th, 2008

ocean-storm.jpg

The glamour of your face,
your hair now loosened in dark waves:

the sudden rightness of these moments -
all of me now here in trembling awe,
kneeling (praying)
tongue-tied to your flesh
and rising heat.

(I need - I need so much to see you,
taste you on my skin,
embrace you
and lay waste to years of caution,
soft despair and waiting.)

The earth-bound magic of the flesh
that like the rain
must dress the land
in moist and blooming sweat,
must now - must come to me.

I enter your calm waves and senses
(how I need - yes, how I need
these bones and dreams and you.)

My Lady of these morrows and these nights,
my storm and sky and anchor:

hold me here in birth and death
and senseless, sheer delight.

Words on skin

January 26th, 2008

 loverschagall4lf4.jpg

(I can see the shape of your dreaming
and touch the stem of your breath.)

Your lips surround me now.
You take me in,

like flames that taste
the heart of the wood,

and words on skin
or bone-carved flutes,

like a shock of warmth,
as the butcher’s hand

or a priest holds up
the heart of the Lamb.

Your lips surround me now.
You take me in.

(I can see the shape of your dreaming
and hold the weight of your breath.)

That night will embrace us

January 25th, 2008

ring.jpg

The grain of the wood,
fastened and softened
by time and breath;

these pebbles so smooth,
coated and left
with the silk of dead waves;

and you, all of you, your flesh
so awake to my longing, my touch -
and more beautiful yet

than all these reminders
that night will embrace us
and change us in time.

Waking to the moment

January 24th, 2008

autel_vatican_pro.jpg

Waking to the moment of your touch
I hold my breath and body
like an altar, like a kiss.

(I want to hold your breath
upon my tongue; I want to
weigh your touch upon my skin.)

As the light needs an horizon
to submit its colours
to the weight of night

(I want your eyes on me,
all over me,
your lips to take me in)

I need you to possess me
and undress me
to the bone.

Slow moving clouds

January 23rd, 2008

mooncloud.JPG

You’re like a Rembrandt,
painted on the edges of slow
moving, moonlit clouds,

a promise that the world
is full of wonders,
new beginnings and encounters.

My love, you’re all the stories
that will start
tomorrow or tonight,

and all the waiting
turned to soft applause
and laughter,

all the moments that are
left for me to love and
hold you till the end of light.

And when it ends

January 22nd, 2008

 hubble_telescope_1998.jpg

And when it ends
it grows so quiet.

Logic has a weight to it
and so does magic.

Love,
when it is gone,

moves beyond time
and distance

and it grows so quiet.

Through these fields

January 21st, 2008

van_gogh_starry_night.jpg

Some journeys start like stories,
some like dreams.

(I can see the shape of your dreaming
and touch the hem of your breath;

these sheets, dressed in darkness,
touching your flesh.)

Strange journeys,
strange frontiers,

where some things end in stories,
others move like dreams.

(I can’t see my skin
through these fields of you;

all my seasons bound
to a to
uch of you.)

It won’t be forever.

December 9th, 2007

How sweet time feels
when it’s too late

and you don’t have to follow
her swinging hips

all the way into
your dying imagination
(Leonard Cohen)

When it’s too late it is too late for everything.

Too late to tell her how much you love her. How much you loved to see her move between the kitchen table and the stove, from power suit to garden clothes, from the old dressoir to your shared bed from morning till evening, till morning again…

She’s gone - beyond your calling. Beyond taste, and touch, and smell. What lingers is regret: you should have said this, or done that. You could have done more could have done things differently.

But you did not -or you could not. It’s the same thing really, in the end. And it did end and she is gone.

You remember the first time the two of you met. It was a Tuesday morning, in a car park, of all places. You had been late for work. She had dropped some papers. One look at her worried face, her wind-blown hair, those lovely but unpractical shoes and you were lost. You helped her gather her papers. One or two had escaped beyond recovery but she thanked you warmly anyway. She smiled at you and you were lost all over again: twice lost within minutes beyond recovery: you were worse than those damn papers…

You gathered your courage and asked if you could have her number.

She said:

“No, but we could have a coffee after work, if you want.”

Yes, you didn’t know but she worked at the same office as you did. She was in management, while you were still working your way up to those heights, from your lowly cubicle. She had seen you a few times before, from her office window, when she was already at work and you were late again.

That’s how it started and you were married six months later. Eight happy years of marriage. No children yet: there was no hurry they were both still young.

Now, there won’t be children. No presents under Christmas trees, no worrying over bucked teeth, or playground bullying. No future boyfriends or girlfriends to weigh up. No future altogether.

When it’s too late, it is too late for everything and it doesn’t even matter much how it does or did or will end. It can be a car crash: one moment of inattention while the two of you are returning home from a movie. You are driving, of course. She’s telling you about the lead actor’s crazy ex-wife. You laugh with her, when she reaches the punch line.

Someone crosses a red light. You wake up in the hospital: you’re basically alright a few broken bones but nothing major. She died in the car, while you were unconscious. You didn’t even feel her warm blood spilling over you, or her dying words, if there were any.

Or it could have been following one of those regular visits to the doctor. Some vague and threatening shadow on an X-ray. A brain tumor or something in the lungs, the heart, kidneys or liver. There are so many ways for a loved one to die. The flesh you love to hold and the mind that lives there are so fragile.

Or maybe you just went mad and fucked someone else’s secretary at work. Some blonde, gum-chewing funny girl. With just enough brains and just enough heart to be interesting and alluring. Unknown flesh, and the old desires, suddenly burning again beyond reason, beyond vows, beyond love itself.

And when she found out, she didn’t even cry in your presence, or curse you out. She just left as you knew she would.

When it’s too late, it is too late for everything. For words of love, for forgiveness, for redemption. Broken pieces are just that. You can try to pick them up but you can’t rearrange them, like the fallen pages of some annual report. You can’t find meaning in shards of bone or ashes. There is no meaning in death and loss.

When it’s too late it is too late for everything.

“Why are you looking so grim.” she asks, entering the living room, still rearranging her hair.

She smells of that new perfume you gave her last month, for your wedding anniversary.

“No reason.” you say, “just thinking.”

“Stop thinking then.” she says.

“I already have.”

“You’ll behave when I’m gone?” she asks.

“I promise.”

She smiles down at you.

“Now don’t go all gloomy, you hear!”

You smile back up at her, from your lazy chair.

“It’s only for a week.” she says; “I won’t be gone forever.”

She walks over to where you sit, kneels before you and takes your hands in hers. Then she stands up again, bows over, kisses you softly on your mouth and looks you into your eyes.

“You’ll be okay?” she asks; ‘Really okay?”

You smile at her again, and say:

“Of course. It’s like you say, It won’t be forever…”


You go your way
I’ll go your way too
(Leonard Cohen)

Come

December 8th, 2007

 chagall-wedding.jpg

God (but you are beautiful)
I whisper,

half afraid to breathe
or close my eyes.

So beautiful
(and here with me)

and I am old
and I am hungry (lonely)

and not used
to worlds of wonder.

Come.
(She comes to me.)

And I am naked and I die
a miracle of dreams.

The bridges in their magic shapes of coming home

December 6th, 2007

17_dec_swans.jpg

Dreaming,
cold and beautiful,
winter is back home again
in Prague,

like ghosts of lovers,
cigarettes and smiles,
the smell of beer
in crowded cellar bars,

the darkening rooms
and shadow time -
everything now reaching
for this sleepy, soft embrace.

The bridges rise in magic shapes
of rounding dreams
and coming back to where
the one you want is waiting.

My love, all of my dreaming
must be like the river,
dark and murmuring,
bearing swans

and all of our tomorrows;
turning like the earth,
carrying our stories
and reminding us

of all the things we want
and tell our children -
all our dreams and all
our longing coming home.

Where do we go (Eyes closed)

December 4th, 2007

beach.jpg

I wake up from dreams
I half remember.

All I know
is you were there.

Some childhood stuff,
some broken toys

served as background
to these songs of need.

Where do we go,
eyes closed,

if not to find some meaning
and blind images of hope?

I crawled upon a beach,
trailing bits of you and bits of me

and building up
this shadow of a soul,

waking up from dreams
I know I half remember;

eyes closed and waiting -
hoping for more.

Dans les rues d’hiver

December 2nd, 2007

19641_winter_paddocks_b-w_900.jpg

Tu es si belle, comme le soleil
qui marche dans les rues d’hiver,
qui touche la neige
et les arbres nus et dormants,

qui est là chaque matin,
chuchotant à moi:

Je suis içi…
et je t’attendrai
quand tu reviendras
à la maison du printemps.

Wolf to your forest

December 1st, 2007

shadow_wolf_by_red_fog.jpg

Wolf to your forest,
moss to your dreaming of trees -

I await,
all teeth and all feeling;

both wild and tamed -
and unreal

till you call me.
Call me: I’m there

to be nothing or breathing.
Call me: I’m yours,

to live or to drown.
All must be yours to decide now:

who lives and loves
or will die.

Measuring the weight

November 30th, 2007

vangoghbible.jpg

The hangman shakes the hand of the convicted,
measuring his weight.
The priest who has no stomach for these things
holds tightly to the shaking holy Bible in his hands.

Last night the murderer confessed his sins;
confessed to him.
There was not one he hadn’t heard
so many times before,

from the judge who summarized the trial
or the members of the jury,
delivering the guilty verdict
with such pride.

The priest has heard it all before and lost
his faith in God and justice many deaths before.
So tired of the solace that he sought,
when he was young;

so tired of these rituals of retribution
and the hangman’s work,
when all is said and done,
the holy Bible closed -

till next time calls for bitter comfort
and sweet vengeance.
There will be nothing there;
no explanations or redemption.

The empty pages whisper,
‘Man is the cruelest animal
and works God’s bloody acres;
that is all.’

Almost

November 30th, 2007

smoke.jpg

The tip of your cigarette
dances through the air:
quick-quick-slow & ready to go.
The rising smoke’s just hovering,
happy to hang around
for another short while.

Today was not a good day.
The buzzards were circling low.
I only came in here to drink
and drink,
give up on thought for now.

(The tip of your tongue
now tasting every sentence
you will not pass on the world.)

I only came in here to hide
till day or something break.

(I was eight or nine years’ old.
The pebbles I took from a beach in July
I touched and carried back to the fall,
to a pond some minutes away from my school.
Those flattened stones skimmed the surface of the world -
shivers going through me,
through the water,
breaking up the silence of the pond.)

Your face,
Wrinkling in the broken light
of these smoke-filled hours,
forever moving like a Chet Baker song,
taking pleasure in all.

Look at you…
Now your hand holds your head,
lifts your chin.
Rodin: eat your heart out.

I love the way you smoke
in holy concentration,
your eyes just a twinkle out of focus;
the parting smoke between your lingering lips.

To realize,
I almost gave up on today,
almost gave up on seeing you
at the other end of the bar.

Now, will I go over and speak to her:
tell her I long to breathe in her hair,
to touch those temples,
move on to her lips -
draw out in charcoal longing
all the blissful skin;
kneel in awe before her and
with trembling fingers
write goose-flesh poems;
undo all the damage of time?

Will I go over and speak to her?
She has seen me look at her and scribble:
stop breathing,
look at her and scribble…
Will I -
will she rest her eyes on me,
attend to the night and its needs;
succumb to her kindness and generous flesh?

I don’t know.
I could -
I just don’t know
but I can pray.

These songs of reckless longing

November 28th, 2007

moon.jpg

From a thousand potholes
filled with rain
one lonely moon looks up

and searches for its mirror
somewhere in the sky,
between the angry breath of
clouds and pin prick stars.

And I have come to sing to you.
I bring to you these
gifts of reckless longing;

to mirror the perfection
that I see in face and hips,
a flash of thigh,
the curve of lips -

I hold your beauty like a
prayer; like sculpted breath
that seeks to know your form.

My heart’s a hollow filled
with rain, that only
serves to hold these
perfect images of you.

I enter you like smoke

November 28th, 2007

 blossoms_on_ancient_cherry_tree.jpg

Storm the night and break the Gates of Heaven.
This the whisper in the trees
that turn their leaves to the rumours of spring.
Now done with death
and done with grieving,
they drive their roots into the waiting soil.

Hold her, hold her tight.
This the clamour of the cranes,
returning from the sun,
the shores of Lake Manyara.
Hold her to the light of all your dreaming,
all your coming homes.

And I hold you, hold you
like a martyr holds his death.
I paint your flesh with morning song,
with all these dreams I share with God.
I enter you like smoke,
like angels dying.

And I sing to you, now sing to you:
naked as the arms and armour
of a virgin heart,
I move through you like prayers,
now rising to the Heavens,
coming home.

What hand

November 27th, 2007

hub.jpg

(For C: Each day you do become more beautiful to me)

What hand

What tremors raised these mountains,
filled these seas?

What forces tore my clay apart;
remade it into something new -

something strange,
and raw, and bleeding?

The hand that made you
made my bed

from broken stars
and fractured light.



View My Stats